Skelton Park

Skelton Park

Image Credit:
Experience Champaign-Urbana

101 E. Washington St., Champaign

Skelton Park, a pocket park at the corner of N. First Street and E. Washington Street, is designed to pay homage to Champaign County's history of locally, nationally, and internationally recognized African American musicians.

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Skelton Park was renovated in 2023 and 2024 as part of the Champaign County African American Heritage Trail with support from the Experience Champaign-Urbana Foundation, Champaign Park District, Rotary Club of Champaign, City of Champaign, Champaign County, and the  Illinois Department of Commerce and Economic Opportunity. Co-Chairs of the Heritage Trail, Barbara Suggs Mason and Angela Rivers, as well as musician Nathaniel Banks were instrumental to the park’s design and development.

Its centerpiece is a sculpture by African American artist Preston Jackson that is designed to reflect a variety of musical instruments and genres of significance to local Black musicians. The sculpture is surrounded by a small plaza, lighting, a seating wall, and a sloped berm. Pathways invite residents and visitors to enter the park where they can play with interactive musical instruments and view bricks that were donated and inscribed by numerous community members to support the park’s development. A “Wall of Fame” sign that acknowledges specific African American musicians is planned for late 2024.

A ribbon cutting for Skelton Park was held on June 7, 2024. The event was attended by dozens of residents, supporters, and community members with connections to African American musicians from Champaign County.

Wall celebrating African American MusiciansCelebrate Our Black Music

This monument in Skelton Park is in honor of the many Black musicians from the Champaign-Urbana area.  Learn more about this project and how artists were selected. The following is a list of artists, by time period, with genre and primary instrument included (bios of all artists are underway):

1890s-1920s

Chester W. Brewer, March Music, Brass

Preston Bridgewater, Early Jazz, Coronet

Ray Hines, Early Jazz, Drums

Benjamin Franklin Nash, Early Jazz, Composer

George Washington Riley, March Music, Drums

Raymond “Mac” Scott, Jazz, Saxophone

 

1930s-1950s

Harold “Pete” Bridgewater, Jazz, Bass

Cecil Bridgewater Sr., Jazz, Trumpet

Earnest “Earnie” Hite, Jazz/R&B, Keyboard

Luster J. “Lus” Hite, Jazz, Drums

Jerry Lynch, Jazz

Cecil Pope, Sacred Music, Pipe organ

Ellen Rivers, Jazz, Keyboard

Jerry Graham Valentine, Jazz, trombone

Julia Walden Valentine, Classical, Keyboard (pianist)

Hattie Winfield, Classical, Vocalist

 

1960s-1980s

Steve Alexander, Jazz, Drums

Komala “Willie” Amoaku, Jazz, Master drummer

Darnell Banks, Jazz, Tenor sax

Deborah Banks, Sacred Music, Keyboard

Nathaniel Banks, Jazz, Trumpet

Dee Dee Bridgewater, Jazz , Vocals

Ron Bridgewater, Jazz, Reeds

Cecil Bridgewater Jr., Jazz, Trumpet

Barbara Burton, R&B, Vocals

Walter Burton, R&B, Vocals

Willie Burton, R&B, Keyboard

Vickie Capo, R&B, Vocals

Pauli Carman, R&B, Vocals

Russell E. Cheatham, R&B, Keyboard

Tom “TT” Coleman, R&B, Vocals

Ollie Watts Davis, Sacred Music, Vocalist

Alvin De Sayles, R&B, Vocals

Sylvia  De Sayles, Jazz, Vocals

Wayne Easley, Sacred Music, Keyboard

William “Count Demon” Evans, Jazz, Drums

Freddie Fletcher, R&B, Vocals

Gerald “Candy” Foster, R&B, Vocals

Jimmy Hill, R&B, Keyboard

Walter “Jelly” Hines, Jazz, Drums

Louis Hite, Jazz/R&B, Drums

Elzie Howell, R&B, Tenor Sax

Carlyle Johnson, Jazz, Reeds

Francis Johnson, Jazz, Tenor sax

Earl Jones, R&B, Drums

Chester Knox, R&B, Keyboard

Leroy Knox, R&B, Vocals

Milton Curtis Knox, R&B, Keyboard

Bobby Lane, R&B, Guitar, Director

Eddie Lane, R&B, Drums, Director

Michael Lane, R&B, Keyboards

Ricky Lane, R&B, Drums

Lenard Leavell, R&B, Alto Saxophone

Terry Marshall, R&B, Keyboard

Charles McClain, Sacred Music, Keyboard

Eugene  “Brother Jack” McDuff, Jazz, Keyboard

Maurice McKinley, Jazz, Drums

Billy McMullen, R&B, Drums

Roy Milton, Jazz,

Milton Norwood, March Music, Drums

Lamont Parsons, Jazz, Guitar

Clyde Perkins, R&B, Drums

Carla Peyton, R&B, Vocals

Robert Ray, Classical, Keyboard

Oscar Scully, Jazz, African Drums

Guido Sinclair, Jazz, Alto saxophone

Donald Smith, Jazz, Vocals

Barbara Suggs Mason, Classical, Vocalist

Willie T. Summerville, Sacred Music, Keyboard

Todd Taylor, Sacred Music, Keyboard

William Warfield, Classical, Vocalist

Larry Welch, R&B, Bass guitar

Tony Zamora, Jazz, Reeds

 

1980s-2020s

Christopher Brian (Ludacris) Bridges, Hip Hop, Vocals

Noah I.  Brown, Sacred Music, Keyboard

Charlie Butts, Sacred Music, Keyboard

Ryan Byfield, R&B, Keyboard

Dawn Clark, R&B, Vocals

Mary Clark, R&B, Vocals

Barrington Coleman, Classical, Vocalist

Steve Davis, Sacred Music, Keyboard

Sam Hankins, Jazz, Trumpet

Cynthia Haymon, Classical, Vocalist

Kevin Hines, Sacred Music, Keyboard

Lamont Holden, Hip Hop,

Clarence Hudson, R&B, Keyboard

Christopher Lane, R&B, Guitar

William “Will” Patterson, Hip Hop

Danny Phillips, R&B, Drums

Sandy Phillips, R&B, Vocalist

James Pryor, Jazz, Keyboard

Rochelle Sennet, Classical, Keyboard

Eugene Washington, Sacred Music, Keyboard

Brenda Williams, Classical, Vocalist

Margaret Porter Wright, Sacred Music, Keyboard

 

 

Decade:

2020-2029

Location(s):

  • Champaign, Illinois

Additional Champaign Trail Sites

Education

Lawhead School

Harriet J. Lawhead School, built in 1907, was a small, four-room building. During its early years, it served German and Italian immigrants in the neighborhood. As African Americans moved into the area, the school was integrated for a period of time, but by the 1940s it was attended only by Black students. White children who lived in the area were sent to Columbia School. During World War II, two rooms in the basement of the school were used as a Servicemen’s Club, organized by community members for African American soldiers who were not welcomed in the USO at Chanute Field. The school was closed in 1952, prior to the opening of the new Booker T. Washington School and razed in 1990. It is now a parking lot.

Military

Cecil Dewey Nelson, Sr.

Cecil D. Nelson was the most decorated World War I soldier in the county. A sergeant in both the Mexican Expedition of 1916 and World War I, he increased his age so he could enlist in the Illinois 8th Regiment, known as the “Old 8th,” in Danville, Illinois. With the U.S. involvement in World War I, his unit become part of the all-Black 370th Infantry where he met and became friends with William Frank Earnest, whom he saw die. On October 18, 1918, he was awarded the French Croix de Guerre by French General Vincendon for bravery under fire, and several other decorations later for his service during World War I. The son of Joseph and Estella Nelson (née Anderson), he, like his mother, was born and raised in Champaign, Illinois, and was a member of Bethel AME. He returned home where he met and married William Franks’ niece, Carrie Mae Earnest, and became an active and respected member of both the Black and white communities. He lived at 1002 N. 5th Street in Champaign, and he is one of the founders of the William F. Earnest American Legion Post #559.

African American Civil War Burials and Mt. Hope Cemetery

Located west of Memorial Stadium at the University of Illinois at Urbana-Champaign, Mount Hope Cemetery (611 E. Pennsylvania Ave., Champaign, IL) was plotted and internment began in 1856. Sitting on the dividing line between the two cities, it’s the oldest operating cemetery in Champaign-Urbana. Throughout its 150 years, it has been the final resting place for many local African Americans and their families, including most of those who fought in the Civil War. The majority of these veterans were buried in what was the Grand Army of the Republic’s (G.A.R.) section, now known as the “old” veteran's section, found as you enter the cemetery. It is represented by the Civil War Memorial and a 32-pound canon built in 1851. However, many of the original markers no longer exist for many of these and other Civil War veterans, or they were moved to other locations in the cemetery.

African Americans veterans from various wars including World War I and II are also buried in this section.

Business

Education

Innovation

Walter T. Bailey and the Colonel Wolfe School

Walter Thomas Bailey was the first African American to graduate with a degree in architectural engineering from the University of Illinois in 1904, and he was the first licensed African American architect in Illinois. He contributed to the Colonel Wolfe School in Champaign as a young man, and later enjoyed a successful and influential career leading architectural projects throughout the United States. Bailey assisted with the design of the Colonel Wolfe School at 403 E. Healey in Champaign. The Colonel Wolfe School was constructed in 1905 as a public elementary school. Named after Colonel John S. Wolfe, captain of the 20th Regiment of Illinois Volunteer Infantry during the Civil War, the building was designed by the architectural firm Spencer & Temple from Champaign.

Business

Edward A. Green

Edward A. Green, a freeman, became one of the first African Americans to settle in Champaign County in 1856. Born in North Carolina, he moved to West Urbana (now Champaign) from Union County, Ohio, with his first wife, Georgia Anne, and daughters, Anna A. and Florence E. Green. A carpenter by trade, in 1858 he began purchasing parcels of land throughout what would become Champaign and into northwestern Urbana, ending up with approximately 14 lots. Six lots were located in Urbana between Wright and Goodwin Streets, along Eads and Champaign (now Vine) Streets.

Business

Civil Rights, Social Justice, & Politics

Community

African Americans and the Illinois Central Railroad

Chartered in 1851, the Illinois Central Railroad was lobbied for by both Steven A. Douglas and Abraham Lincoln. Completed by 1856, it was considered the longest railroad in the world. From 1857 through the Civil War, the Illinois Central Railroad (IC) was said to carry fugitives from slavery, along with the Chicago, Burlington and Quincy, and the Chicago and Rock Island Railroads. Fugitives travelled by box cars and passenger cars, by day and by night. With the assistance of railroad porters, sympathetic conductors, laborers, freedmen, and abolitionists, they managed to travel mostly without arrest.